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The Eighth Moon

A Memoir of Belonging and Rebellion

ebook
1 of 1 copy available
1 of 1 copy available

"Beautifully written, The Eighth Moon uses a very light touch to probe the most essential, unresolvable questions of belief, kinship, fidelity, history, and identity."—Chris Kraus

A rebellion, guns, and murder. When Jennifer Kabat moves to the Catskills, she has no idea it was the site of the Anti-Rent War, an early episode of American rural populism.

As she forges friendships with her new neighbors and explores the countryside on logging roads and rutted lanes—finding meadows dotted with milkweed in bloom, saffron salamanders, a blood moon rising over Munsee, Oneida, and Mohawk land—she slowly learns of the 1840s uprising, when poor tenant farmers fought to redistribute their landlords' vast estates. In the farmers' socialist dreams, she discovers connections to her parents' collectivist values, as well as to our current moment. Threaded with historical documents, the natural world, and the work of writers like Adrienne Rich and Elizabeth Hardwick, Kabat weaves a capacious memoir, where the past comes alive in the present.

Rich with unexpected correspondences and discoveries, this visionary and deeply compassionate debut gives us a new way of seeing and being in place—one in which everything is intertwined and all at once.


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    • Publisher's Weekly

      February 12, 2024
      An ailing writer moves from London to Margaretville in Upstate New York and encounters the village’s rich history in essayist Kabat’s pensive debut. At the heart of the account is an “uprising by poor tenant farmers” on Aug. 7, 1845, in which a group of masked rent-strikers fought to redistribute land and shot and killed the town’s undersheriff. Kabat reconstructs scenes from the event, draws parallels to today’s out of control housing costs, and reflects on the political implications of private property. Her narrative is as much about her research process as it is about the Anti-Rent War itself—Kabat traces her journey through the archives; outlines her experience making a home in Margaretville as she befriends locals; and issues abundant literary reflections on such writers as Elizabeth Hardwick and Adrienne Rich. While Kabat has her moments of lyricism (describing the rent-strikers, who wore billowing gowns and large leather masks for anonymity: “The men in dresses turn with a flourish, in a mockery of military maneuvers”), the real stars here are the strikers themselves, viciously decrying the systems that oppress them (one of their more gruesome marching tunes goes: “The violence sweeping around me now thickens / With killing off rent and landlords some of us quicken”). It’s an introspective investigation of the interplay between writing, history, and political action.

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  • English

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